Help Us Help Sayf!

 

 

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Hello all!

We are excited to announce that from now until December 27th, 50% of the proceeds of Kill Matilda Bandcamp sales of ‘Songs of Survival’ will go to supporting the sponsorship of a Syrian Refugee by our friends Jenny and Trevor, via Rainbow Refugees. Jenny & Trevor have a goal of raising $20,000 by Dec 31st ($12,000 for the sponsorship and the rest to help with settlement and living costs).

Visit our Bandcamp page to purchase the album here 

The person they are sponsoring is Sayf. Sayf is a queer Syrian man currently living in Istanbul. He fled Syria after the Assad government tried to recruit him for the army but cannot join his family in Saudi Arabia because he is gay. Sayf has a degree in marketing, is currently learning English and is anxiously awaiting his sponsorship so that he can live in safety and freedom in Canada.

To support Sayf’s sponsorship, we decided to donate a portion of the proceeds of our online sales. Unfortunately iTunes takes 3 months to pay artists out, which is why we decided to set this fundraiser up through Kill Matilda Bandcamp for the fastest possible turnaround in order to meet the Dec 31st goal.

We know that many Kill Matilda fans have big hearts and care passionately about this cause, so we have made our new album, ‘Songs of Survival’ available by donation. Pay as much or as little as you like!

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We are inspired to help someone else while we attempt to help ourselves after some van issues forced the cancellation of a part of our US tour.  We are also asking fans of Kill Matilda to help us with this fundraiser; the 50% of your funds that we keep will be going to helping us get our band back on the road in January to get to all the dates we have booked in 2016.

I (Dusty) am passionate about the plight of refugees, especially those displaced due to the civil war in Syria. As a fundraiser for international aid organizations for many years, I worked to educate the public about this growing crisis from the time it started. I have felt powerless as I watched the conflict begin, and continue, and the fact that it has continued to this day and to this magnitude has been heartbreaking.

Although a lot of people are aware of the refugee situation, they are not aware of the circumstances that led to it, or the truth of what it means to be a refugee. We are concerned with border security and with what it means to host refugees, but those who know the story of how these refugees came to be know how dire the situation is. A few statistics:

  • There are currently more than 50 million refugees worldwide
  • The average length a person lives in a refugee camp currently is 17 years – that means that many children have never known life outside a refugee camp!
  • More than 51% of refugees are under 18
  • Right now Lebanon is hosting 1 million Syrian refugees, but normally only has a population of 5 million. Syrian refugees currently make up 1/5th of the population!

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But why should we care about what’s happening in Syria, and why is it happening? It started with a little boy named Hamza Ali Al-Khatib. In 2011, Hamza and some of his friends spray-painted words of protest on a wall and were arrested by the local police in Daraa, Syria. This was during the height of the Arab spring but the fascist Assad government of Syria has always maintained a serious crackdown on any political dissidents, even children.

Hamza was 13 years old. He was beaten, tortured and had his penis cut off. His body was then dumped on the front step of his parents house. People in Syria began openly protesting and thus the spark was lit for a civil war (of course, there are more issues that led up to this, including decades of oppression).

Hamza Al-Khatib

Hamza Al-Khatib

For years, the conflict in Syria has led normal, every day people to flee for their safety and their children’s safety. But governments around the world have closed their doors. Only a tiny trickle of the millions of refugees were absorbed by Western countries. Jordan, Turkey and Lebanon, the three countries bordering Syria, were left to bear the brunt of the more than 6 million refugees looking for safety. Lebanon is a country of 5 million people, currently hosting 1 million Syrians! These countries cannot handle the strain of so many refugees. As a result, the conditions in the camps are dire. There isn’t enough of anything – clean drinking water, medicine, food, education.

The biggest struggle is for those with medical conditions. Simple to manage conditions like diabetes become a struggle for life and death in these conditions. Children and people injured in the fighting are not always able to get the care and rehabilitation they need.

When young people are displaced by violence, and they have no outlet for their trauma, and there is nowhere for them to go and nothing for them to do, are we really surprised when an organization like ISIS comes around offering them a release and they take it? By allowing these people to stew in a refugee camp with no future and no resources, we practically guarantee ISIS and other terrorist organizations more cannon fodder. Poverty is a huge motivator to join militia groups, and these groups prey on those who are in need. When you live in desperate circumstances and you don’t have enough to eat, and you’ve lost everything – the chance to get back at someone, to take the power back and the promise of a full belly can be enough. ISIS even offers to pay for the medical needs of some of these people’s families. By giving refugees a home and a future, we are fighting terrorism better than we can with drones and fighter jets.

Worldwide, the growing refugee crisis is a huge problem. We have the chance to do something about it now. Although the Canadian government has pledged to bring 25,000 Syrian refugees to Canada in the next few months, many of these are just going to be the government matching funds raised for private sponsorship, such as in the case of Sayf.

We are doing this for Hamza. We are doing it for Aylan Kurdi. We are doing it for all the people hoping for a better life. We’re doing it for ourselves, too. And we’re doing it for Sayf. Pay what you want till Dec 27th and help out!

Read the statement from our friends Jenny & Trevor, who are organizing the fundraiser, here.

Purchase the album from Bandcamp (not iTunes!) here.

 

How To Dye Your Hair (Discreetly) In A Mall Bathroom In 7 Easy Steps

Being a touring musician is always complicated when it comes to things like showering, staying fit, eating healthy, brushing your teeth, printing a document.. all the things that non-touring people with normal structure in their lives take for granted. But being a woman can sometimes add a few extra layers to the complexity of acting like a normal human being in public despite being essentially homeless.

Well, we are for real homeless on this tour, and since it’s such a long tour, there are certain aspects of grooming I can’t just put off “until I get home”. One of these is hair maintenance, and I have a LOT of hair. Luckily I was able to use the bathroom of one of our recent hosts to complete the hair bleaching process but I didn’t have any dye, so I had to wait for a day when we happened to be in a mall to find some. That day was yesterday. I present to you now, How To Dye Your Hair Discreetly In A Mall Bathroom – in 7 steps!

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To pull this off,  you’ll need the following:

-your hair dye of choice
-a shower cap
-a hairbrush or comb
-travel-sized vaseline
-travel-sized shampoo and conditioner
-a towel
-a toque (or hat, as Americans like to call them – so confusing!)
-a backpack to put it all in (people will look at you weird if you just carry a towel around in the mall)

 

Step 1: Assemble items and find a private or semi-private washroom

To my benefit the mall I picked was pretty swanky and in the woman’s washroom there was ANOTHER WASHROOM, like a whole washroom for disabled people with a door that shut and locked. It had its own sink so that was perfect. I would also advise you to choose a time of day that is least busy. The best is on a weekday, AFTER the lunch rush but before the 3 pm school day ends. That way the fewest number of people are likely to even come and go from the bathroom and you will be left in blissful hair-dying peace.

Step 2: Cover your hairline and ears in Vaseline

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If you’re lazy about dying your hair, like me, you usually skip this step. But damn, bitch, you on tour! You got a show tonight, you don’t have time to mess around with dye on your face and head! Slap that lube on there. I recommend using gloves to protect your hands from dye as well.

Step 3: Partition up your hair using any hair ties or bobby pins at your disposal, otherwise just do it by tossing your hair to and fro and hope for the best

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I gave up on gloves early on into the process.

PS, try not to make TOO much of a mess in the mall bathroom. I did this by mainly keeping everything in the sink, which is easy to clean.

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Step 4: Cover your whole head in hair dye, and put any/all excess dye in there. 

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Careful, well-planned and organized dying using a moderate or correct amount of dye is for people who have their own bathrooms. You, on the other hand, have clearly made some bad life choices and are frantically trying to get this done before the staff of the mall become concerned and start knocking on the door. You don’t have time for conserving dye – just squeeze it all onto your head and mush it around like shampoo. At least you’ll know that you probably won’t have any splotchy patches.

Step 5: Cover your hair with a shower cap, then cover the shower cap with a toque

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This will keep the dye from getting everywhere, the toque will keep everyone from seeing what a weirdo you are, and it has the additional benefit of added heat for dye-setting

At this point you’ll need to wait however many minutes for the dye to take. I used this time to attend to other important hygienic processes that can sometime get neglected on tour. The mall I was in was so fancy they had a whole separate “Family Room” just off the bathroom, complete with more sinks, microwaves, chairs, a TV playing Thomas the Tank Engine, and another bathroom with a locking door that was specifically for people with small children (it had one big toilet and one little toilet, one big sink and one little sink).

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Oh yeah, also MAKE SURE to clean up after yourself – don’t leave a mess!

Step 6: When the time comes, lock yourself in the bathroom again, jam your head under the tap and wash your hair out

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This was definitely the most time-consuming step of the process because most taps in public bathrooms these days are automatic, and the one I was using didn’t have particularly high pressure. Plus my hair is SUPER thick, so it took a long time to rinse out the entire 2 tubes of sparks hair dye I put in there (normally I use manic panic but I couldn’t find my color anywhere! – dammit Manic Panic, that’s why you need to sponsor me!!). Then there’s the shampooing and the conditioning. Just stick with it, you’ll get ‘er done!

Step 7: Towel dry your hair, clean up your mess and get the heck out of there!

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et voila! Before…

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And after!

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April Shower Bring May Flowers

Hi all;

Just a quick update this time. I’m going to work on my consistency in the blogosphere and try to work on weekly blog updates for alll you KM hardcores out there. We are here in Toronto getting settled and setting up the rest of our year: we will be playing many shows in Quebec and Ontario and are planning a tour to the states for later this year. Who knows what else might happen?

We dropped in at CMW to see some of our friends in The Deadset and Gypsy Chief Goliath. It was so awesome to see so many music lovers out supporting rad bands. We look forward to our showcase at North By Northeast next month – keep an eye out for us!

Here are a list of our upcoming shows-

May 23 – the Cage, Toronto ON FB EVENT HERE

May 24 – Fitzy’s By the Bay, Barrie ON

May 30 – The Rockpile West (Etobicoke/Toronto) ON FB EVENT HERE

June 13 – CIDERFEST, St-Hyacinthe QC FB EVENT HERE

June 19 – Manik Mondays, Montreal QC

We will be coming to a town near you over the summer! If you think there are any festivals, shows, venues or events we should be playing, let us know! We want all the suggestions you have.

In other news, my guitar amp was stolen last month. It was upsetting and kind of a clusterfuck but it seems that there’s nothing we can do to get it, or any of my pedals, back. That’s about $600 or so worth of gear. Luckily, I found the amp of my dreams just sitting in Long & McQuade waiting for me! I am the proud new owner of a Mesaboogie Dual-Rectifier head. Now’s the hard part; paying for it. Keep an eye out over the next few weeks as I’ll be selling some hand-made art and putting deals on our merch to help cover the costs.

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Tour Update #4: Regina to Montreal, Kurt Cobain, Driving Forever

Hi guys

Since my last tour update we played with some amazing bands in Regina. I really enjoyed the kick ass locals The Man and His Machine, and my particular favourite for the night was Palisades from New Jersey. They put on a really well polished show, they were hard hitting and really got the crowd moving. I’m always curious how a band formed only a few years ago (they were formed in 2011) is able to accumulate over 100,000 likes on facebook, tour support, really mint-ass gear and shit. It’s definitely taken us years to get spit and polish and I have to ask myself if these bands don’t have someone doing the majority of the heavy lifting for them? Heaven knows I would love to have a little of that myself – being a DIY band means learning everything the hard way. It’s weird; there are two kinds of bands. The first you never see playing locally until suddenly they’re opening for <POPULAR BAND X> on tour with some guitar sponsorship and they are touted as being from your home city, which is curious, because you’ve never heard of them or seen them play and they definitely didn’t “rise in the ranks” because no one really knows them. These are the bands that seem to have everything us DIY bands are striving for, or at least they LOOK like they have it (read; money). The other kind of band is the kind of band you saw when you were a teenager at the community centre, or who have played with your friends band, who accumulate and grow their fan base through the process of playing shows and getting better and bigger opportunities. Although this kind of a band tends to start with less of the money and the polish, they make up for it in legitimacy, which leads to committed fans who stick with you through the years. It seems Kill Matilda is in the latter category, and it feels really good to always be growing, doing better, improving and seeing our dedicated and loving fans grow with us. I like to think that this kind of musicianship means we are participating in and growing in a national musical community. Not that it’s bad to start out at the top with lots of money and sweet gigs; that’s pretty sweet. But, each approach and strategy has it’s pros and cons.

Speaking of bands and their development, today is the 20th anniversary of the death of Kurt Cobain. Here is a very interesting story of a band; unlike the two examples mentioned above, there existed a magical time in the 90s when music was still making everyone money and even bands of total junkie fuckups could become world famous. Don’t interpret what I say as derogative; I mean it in a loving sense. Kurt Cobain was a total and complete fuckup and the fact that he could become famous as a musician is to me, such an amazing crazy thing, neither good nor band, just remarkable. It could NEVER happen in this day and age. The time of musicians-cum-junkies is almost completely over because being in a band these days means almost constant work in a cutthroat industry with very little resources available for everyone. You have to be at the top of your game. It used to be, in Nirvana’s heyday, that your ethos and your art were all that was needed to bring you head and shoulders above the competition. People, and record labels, loved Nirvana’s music because Kurt Cobain had a special ability to connect with something so deep, so sad, and so primal that it connected us all to that part of ourselves. His epic unhappiness with everything earthly seemed to be conveyed through some kind of magical, beautiful, touching wormhole of emotions. In short, his voice, his words and his melodies moved us. And it didn’t hurt to have Dave fucking Grohl on the drums. But, think about it; Kurt Cobain was a self-loathing lazy junkie at the same time. He didn’t wake up in the morning, check his twitter, do all his own booking, and do all the driving on tour. He was able to exist in this pure bubble of just being an artist, a music-maker, and everything else took care of itself because the music was THAT good. Has there not been music as good or as touching since that time? No, there totally has been. But the eras of Kurt Cobains and Elliott Smiths are over; if you aren’t gonna do it for yourself, no one is gonna do it for you, no matter how good you are.

Beyond that, it also seems the musical and social pendulum has swung so far from the kind of crass self-loathing that Nirvana embodied that it’s unlikely that, at least in the next little, a band or an artist could come along and do something similar to what Kurt Cobain did. These days its not very cool to hate yourself and to sing about killing yourself. In fact, if you so much as post some sort of self-harming selfie on Instagram or Facebook, you better believe that shit will get flagged and taken down. Maybe because the playing field of how we interact with each other and our culture has been so changed through the internet and social media, and our constant interconnectedness, people can’t be so irresponsible anymore. Because that’s really what Kurt Cobain was; irresponsible. And it was cool, in his time. But imagine someone doing this today, using drugs flagrantly, being a total flail, talking about hating themselves… I feel like the collective hivemind of the interwebz would reject that person as just.. a loser. I guess what I am trying to say is that Nirvana, and Kurt Cobain, were a kind of miracle; the perfect collusion of several elements. Like an eclipse or a planet or comet that comes into view that we won’t see again for another hundred years or so. Everything had to be just right. The industry had money and was looking for the next big thing and plucked this (relatively) unknown band from obscurity (lord knows they couldn’t have done it themselves with that kind of a work ethic). The culture of the 90s, living in the shadow of the post-80’s economic boom, still privileged and rich enough to start having a vague self-hating sense of ennui played a role. People were just fresh out of the Cold War, which I think also probably gave a lot of young people a sense of gothic existentialism; only years before the threat of nuclear war was real, and frightening. Now there was nothing to be frightened of but there was a lot to hate, especially with regards to consumer culture, because people had money! All these things; economics, world events, culture… they are all related to music and what we as a society like and don’t like, will accept and not accept.

But, back to us.

Regina was followed by Brandon, big thanks to A.P.O.D. productions for hosting us! We had to immediately leave Brandon and drive through the night as far as Kenora, ON, where we crashed at a motel from 5:30 am to about noon, and then hit the road again, arriving in Thunder Bay in the nick of time around 8 pm. Seriously, why is the drive across Northern Ontario so long? How does it take 8 hours to go less than 500 kms? We pulled a repeat of the night before and hit the road right after our show to embark on the 10 hour drive to Timmins. The show in Thunder Bay was awesome; definitely check out the band Forever Dead,  a highlight for me. I also really enjoyed the Bay Street Bastards, who played a sort of combination of celtic-punk-meets-Gogol-Bordello.

We made it safely to Timmins around 2 pm after a 10 hour drive and immediately crashed out till our show. I’ve been pleased and impressed with the calibre of shows this tour; no matter where we play, and with who, people are happy and excited to hear us, they buy merch and we make friends. That’s all you can really ask for. We enjoyed a few days off in Sudbury visiting friends, a few more in Montreal, and a quick trip to Sherbrooke to play bar le Magog with Hardluck Battleground and Fate Hope Glory. Sherbrooke is a really beautiful city and always one of my favourite places to play!

Last night we returned after a too-long separation to the stage in Montreal and it was glorious, both to see old friends and familiar faces and to play for the awesome punks of Quebec. If you’ve never been to Quebec, or partied at the Death House, or been to a show, it’s definitely an experience you should try to have once in your life. It’s hard to put into words but the people and the culture of Montreal just hold a special place in my heart and Mykel and I felt really happy to be back in the ‘hood.

Next up: Sorel, Toronto, and ALL OF ONTARIO.

Tour Update #3: THE PRAIRIES – Rum Running & Hair Dye Freezing

Hi all; apologies for the delay on this update. It comes to you from March 27th. 

We made it through the perilous frozen tundra of Alberta sans winter tires. Since my last update we’ve played Edmonton, Edson, Calgary, Red Deer & Moose Jaw and we are on to Regina tonight to open for Abandon All Ships.

The question of whether or not to winterize the van has been on our minds since Kamloops. We had plans to hook up a cheap set of winter tires in Prince George, but the morning of, we ironically became stuck in a snow bank in Burns Lake and by the time we un-stuck ourselves, we didn’t have time to stop on our way to the show in Valemount. We’ve been lucky enough to enjoy awesome road conditions despite the freezing temperatures we’ve been enduring. In Alberta it was so cold that everything in the van froze solid including my beauty products. I went to go touch up my hair only to find that the dye in the jar was so cold I had to scoop it out with a spoon like ice cream! Some of our beers froze and exploded…didn’t anticipate that. The funniest part is that as I was explaining this with dramatic flourish to our host in Moose Jaw last night he just gave me a funny look and said, “well yeah…that just, like, normal”. OH REAL CANADA. I forgot who I was talking to. My exciting story of frozen goods was pretty par for the course. He said they’ve gotten about 5 or 6 days at -50 this year.

Edmonton was a great show at Studio Music Foundation. Big thanks to the other bands Knuckledown, Betty Sue’s A Tramp & Reckless Rebels. It was probably the most legit punk show so far of the tour and we appreciated seeing some fans who drove all the way out from Lloydminster to rock with us.

We played Edson at Fat Greasy’s, what a great little venue. I mentioned to the bartender that my brother had lived in Edson about 13 years ago and he remembered him! A few other people in the bar did too. We stayed in a motel walking distance from the venue and it was one of maybe five times in my almost-eight-year relationship with Mykel that I’ve seen him drunk; I specifically made him stay at the bar and party with the locals, because he is burdened with a sense of unerring responsibility. So, when everyone else is getting shitfaced and laughing and having fun, he’s usually the one wrapping cables, double checking that we haven’t forgotten anything, and making sure we all get to where we are going safely. Any of you who added me on Snapchat got the exclusive Drunk Mykel snap!

Next up was Calgary and one of my favourite dates of the tour so far! Aside from bumping into the bagpiper (bagpipist?) from the Real MacKenzies unexpectedly (mini reunion!), we played the “Dark Carnival”, so our set was featured among burlesque dancers, stunt performers (ie, dudes with giant hooks pierced in their backs with a rope strung between them having a tug of war and a dude nailing nails into his nose) and other awesome bands. We saw lots of old friends and made lots of new fans too. BUT FUCK WAS IT COLD AND SNOWY JESUS GOD

Red Deer & Moose Jaw were small shows with nice people, and we learned that apparently Al Capone was involved in rum-running during prohibition using this set of tunnels that make an underground network in Moose Jaw. Pretty unexpectedly cool… even in the small corners of Canada that seem sleepy a darker history lurks… other than that I’m excited for our gig tonight…first time Kill Matilda has played Regina! Hold on to your fuckin’ hats, prairie people!

TIME TO HIT THE ROAD

Hi all;

In a few short days we start our #PUNK#ZOMBIE#ROCKNROLL tour. It seems no matter how well organized I strive to be or with how much structure I approach such a grand undertaking, I always end up in the same position; out of clean underwear and smelling like a homeless kid who’s misplaced their debit card. Staying on top of twenty different aspects is a hard road…being in a band is not glamorous. The saving grace is that the liquor store I frequent has a good selection of beers over 9%.

We gave up our apartment on Feb 1st in order to save money; well, I wouldn’t really call it saving. We’ve easily spent what we’d normally spend in rent money on all the things we need to be tour ready including new merch, CDs, dropcards, a trailer hitch, and so on and so forth. I want to take a moment to thank our friends Steve G and Will S for letting us crash at their houses this month, as well as all the kids at the Matador house in Vancouver.

I thought that it would only take me a few days or maybe a week or two to complete all my uncompleted projects, and that I’d have time to coast and couchsurf and practice guitar before hitting the road. I was so. wrong. I have three days left in Vancouver and I’m only now finishing all that needs be finished, the biggest project of which was the epic hand-drawn comic book I recently completed to accompany the new release. A 17-page hand-drawn and colored piece of art is a lot of work for anyone but is a special challenge for me. this month I’ve had a long-awaited, much-anticipated, badly-needed formal diagnosis of ADHD. Not a shock and not news, but a relief to finally have the validation that I’m not lazy, stupid, clumsy, or an airhead. People often say to me, “Dusty, you’re always so busy, you’re always working on something!” What probably seems like a virtue to many is a personal prison for me; I CAN’T relax. My mind is always racing, my feet are always tapping, my fingernails are always picking or scratching, my mouth is always talking. So, I can start any project with boundless enthusiasm; completing a project is another thing. ADHD has interefered with my ability to keep a job, to keep friends, to have pets (i’ll get into that another time), and to feel good about myself. To actually follow through and complete a project once the initial “brain candy” of something new has worn off was excruciating. It sometimes only came a page at a time or even a panel at a time; my poor publicist has been hounding me for weeks. The truth is that completing this comic is one of the first (personal) things I’ve done on my own in years and tied neatly with a bow. I probably wouldn’t have been able to do it if it hadn’t been for the help of doctor-prescribed medicine and the support and sometimes very strict enforcement of “work time” by Mykel.

Tomorrow we are releasing the EP of the same name and I am excited to announce that we will be providing a free download link for everyone along with a comic that I drew by hand to accompany the release. This re-release of ours features a brand-new acoustic version of “Geisha With A Switchblade” so please download it!

We’ve put out a video for our single “Law Abiding Citizen”, check it out here.

We will also be releasing a video for “I Want Revenge” on Tuesday, March 11th. We worked really hard on this video together will director Will Strawn and we are so proud of what we accomplished. I’m super stoked for you guys to see it. I want to take a moment to thank Mykel Exner for producing and Will Strawn for directing/camera op. Special thanks to Cariboo Brewing and Dead Reckoning clothing for sponsoring our video, and to Terminal City Rollergirls, Academie Duello, and Audrey Bride for being in it!

We’ve also gotten some pretty amazing reviews of the re-release. Our favourite is this review, in which the reviewer calls us “like the Beach Boys, but evil” and says that I sound like “a female Rob Zombie”. I’ll take it! Check it out here!

This review says that my vocals are perfect – best. compliment. ever. Canadian Beats says the album makes you feel empowered just by listening to it. We are super happy with how much positive press this album has been received and are excited to lay it on you all for this tour.

I’m so excited to move out of the administrative phase of the tour and into the actual rock and roll phase of the tour that I could squee and just roll around on the floor. March 6th can’t come soon enough! I can’t wait to see everyone again and to bring you all new merch and new tunes.

Below is a list of dates for our tour – any changes or updates will be posted on our facebook page and on twitter.

Feb 28 – Abbotsford, BC – Gators Pub (details)

Mar 6 – Vancouver, BC – Railway Club (details)

Mar 7 – Maple Ridge, BC – the Wolf Bar (details)

Mar 8 – Mission, BC – the Zoo (details)

Mar 11 – Kamloops, BC – Cactus Jacks (details)

Mar 13 – Vernon, BC – The Green (details)

Mar 14 – Williams Lake, BC – Overlander Pub

Mar 15 – Prince George, BC – the Croft Hotel (details)

Mar 16 – Burns Lake, BC – Private Party (message dusty@sinagency.ca for details)

Mar 17 – Valemount, BC – Log & Rail Pub

Mar 18 – Hinton, AB – Valley Zoo

Mar 20 – Edmonton, AB – Studio Music Foundation (details)

Mar 21 – Edson, AB – Fat Greasy’s Metal Lounge

Mar 22 – Calgary, AB – Dicken’s Pub

Mar 23 – Red Deer, AB – Slumland

Mar 25 – Moose Jaw, SK – 23 Main Street (acoustic show)

Mar 26 – Regina, SK – The Exchange (details)

Mar 27 – Brandon, MB – North Hill Inn

Mar 28 – Thunder Bay, ON – Black Pirates Pub

Mar 29 – Timmins, ON – Victory Pub

Apr 3 – Sherbrooke, QC – Bar le Magog

Apr 4 – Montreal, QC – Katacombes (details)

Apr 5 – Sorel-Tracy, QC – Pub O’Callaghan’s

Apr 8 – Toronto, ON – Bovine Sex Club